Sunday morning I was all ready to make a post talking about how since the new translation I’ve noticed a trend in churches to just do whatever psalm setting is in the missalette for the day rather than incorporating the wide variety of psalm settings available, but then I went to Mass and lo and behold they did Rory Cooney’s setting of Psalm 40, which happens to be exactly the psalm and setting we used at our wedding, so! I tried to find you a version to listen to, but as is so often the case with church music finding a recording that matches what you actually hear at Mass (as opposed to a talented-if-sometimes-trying-too-hard soloist with a backup band) is downright impossible, ESPECIALLY if you’re also looking for one that actually has the harmony parts. (It’s four-part. It’s gorgeous. It’s not on Youtube. I looked.)
Recently, Meg over at Pierced Hands confirmed something I was aware of but had never articulated: on Sunday, while the first reading and the Gospel almost always correspond, the second reading follows its own track. This caused me no little amount of grief as a teen lector, when I would spend hours practicing to proclaim the epistle only to have it ignored in the homily because it didn’t quite fit with the other themes. This past Sunday’s readings followed the same pattern, but all the homilies I saw floating around focused on the second reading, the “Don’t you know your body is a temple of the Holy Spirit?” one. Which, I mean, okay, March for Life is this week, it’s an important message anyway, that’s fine. So today I wanted to talk a little bit about the other two readings.